![]() UIS support follow property name: from/toįour situations determined by property name Properties are composed of property name and property value, connected by '='(equal sign), more than one property values should be written in '()' (braparentheses). First property should be 'name', other properties could be placed in any order. Motion DefinitionĮach line of motion definition contains at least two properties: 'name' and 'time', different properties are separated by ','(comma). They have same properties.ĭifferent sprites could share one motion description, group definition is not necessary in most situations. Square bracket after sprite's name after a dash means there are three sprites defined together: test-1, test-2 and test-3. UIS supports group definition of motion group's name. `Only English characters and numbers allowed. There's no need of semicolon to end the line. `The length of motion group's name may not exceed 40 characters. In which there is only one single line of motion status in one motion group, an abbreviated method is allowed to write in the place of motion property, only need a !(exclamation mark) behind 'motion='. #Malody def series#16 hit remains Def Leppard’s clarion call to “Rise up/Gather ’round/Rock this place to the ground.” Despite containing few guitars in the beat-heavy verses (a composition similar to “Pour Some Sugar on Me”), it nonetheless does just that, reserving the real juice for when Collen takes the limelight with a blistering solo.UIS Animation is a part of UIS, any qustions about UIS, refer to the UIS Manual.Īccording to the UIS Manual, animation is a series of descriptions of motions defined IN ADVANCE, which could be quoted in sprites.Ī description of motion should be started with:(colon), each kind of motion status should be descripted within one single line, started from the second line.Sprites quote the descriptions of motions with 'motion'. Between Elliott’s mile-high cries and Collen utterly owning the solo on the Pyromania track, it’s one of the quintet’s most passionate and best-performed songs. 12-peaking “Photograph” are the equivalent of revving an engine before a drag race. It resuscitated Hysteria‘s stalled sales after strippers began requesting it in their clubs, making it shoot to No. The big, loud, entendre-saturated arena stomper (the good-time lyrics are fairly ridiculous) is the best-selling Def Leppard song, per Nielsen Music. (Honorable mention: Retro Active’s “Fractured Love,” with its pouncing bass and percussion.) Its throbbing rhythms encapsulate the glory derived from a band falling into perfect performance sync. This Def Leppard song off Retro Active is an exotic-flavored sonic wallop that meanders for over five minutes. Its kiss-off attitude perfectly aligns with Phil Collen and Clark’s striking guitars. It’s more frenetic, but just as celebratory, even though it praises the chase instead of the catch.įrom the sound of the gathering wind to the nearly a cappella intro to Rick Savage’s foreboding baseline, this Pyromania hit is dramatic in all the right ways. #Malody def crack#28 on the Hot 100, the third track from Pyromania to crack the chart. It’s carried by Clark’s silky acoustic intro, singer Joe Elliott’s rafter-scraping vocals, its “Fuh-fuh-fuh-foolin’ ” chorus and stuttering riffs. (Honorable mention: “Billy’s Got a Gun” from Pyromania, which closes the album with aplomb.)Īnother of Pyromania’s MTV-propelled hits. This ripper from High ’n’ Dry is barely three minutes long but doesn’t give an inch. One of the band’s traditions is indulging in journey pieces to flex its jamming muscles. (Honorable mention: Slow-but-steady burner “Paper Sun” from 1999’s Euphoria.) The High ’n’ Dry track gradually crests into one of the act’s famed catchy choruses with thickly stacked vocal harmonies and hits a high point with an ascending guitar solo. Def Leppard – “Mirror, Mirror (Look Into My Eyes)” (Honorable mention: “Ring of Fire” from 1993’s Retro Active for its similar hell-raising aural pyrotechnics.)ġ4. Like the title says, Def Leppard lets it rip on this song from 1981’s High ’n’ Dry with AC/DC-style power chords and a wailing, Led Zeppelin-esque outro. Motley Crue's 15 Best Songs: Critic's Picks ![]()
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